Posts Tagged ‘2008 RITA’

5th September

RITA Winner Melissa Marr interview on Book Smugglers

Stop by the Book Smugglers today for a fabulous interview with Melissa Marr, author of the 2008 RITA winning book for best YA WICKED LOVELY. The Book Smugglers posted excellent reviews of WICKED LOVELY and the darker companion novel INK EXCHANGE. I’ve had the pleasure of reading Wicked Lovely and strongly recommend it.

(photo above: Melissa Marr at the Publisher Signing at the 2008 RWA National Conference in San Francisco)

WICKED LOVELY

Rule #3: Don’t stare at invisible faeries.

Aislinn has always seen faeries. Powerful and dangerous, they walk hidden in mortal world. Aislinn fears their cruelty—especially if they learn of her Sight—and wishes she were as blind to their presence as other teens.

Rule #2: Don’t speak to invisible faeries.

Now faeries are stalking her. One of them, Keenan, who is equal parts terrifying and alluring, is trying to talk to her, asking questions Aislinn is afraid to answer.

Rule #1: Don’t ever attract their attention.

But it’s too late. Keenan is the Summer King who has sought his queen for nine centuries. Without her, summer itself will perish. He is determined that Aislinn will become the Summer Queen at any cost—regardless of her plans or desires.

Suddenly none of the rules that have kept Aislinn safe are working anymore, and everything is on the line: her freedom; her best friend, Seth; her life; everything.

Faerie intrigue, mortal love, and the clash of ancient rules and modern expectations swirl together in Melissa Marr’s stunning 21st century faery tale.

INK EXCHANGE

Unbeknownst to mortals, a power struggle is unfolding in a world of shadows and danger. After centuries of stability, the balance among the Faery Courts has altered, and Irial, ruler of the Dark Court, is battling to hold his rebellious and newly vulnerable fey together. If he fails, bloodshed and brutality will follow.

Seventeen-year-old Leslie knows nothing of faeries or their intrigues. When she is attracted to an eerily beautiful tattoo of eyes and wings, all she knows is that she has to have it, convinced it is a tangible symbol of changes she desperately craves for her own life.

The tattoo does bring changes—not the kind Leslie has dreamed of, but sinister, compelling changes that are more than symbolic. Those changes will bind Leslie and Irial together, drawing Leslie deeper and deeper into the faery world, unable to resist its allures, and helpless to withstand its perils. . . .

2nd August

2008 RITA and Golden Heart Awards

In case you missed my up-to-the-minute coverage of the 2008 RWA award ceremony for the Golden Heart and the RITAs, you can find the final award winners by clicking here. These were some of the highlights:

Seattle RWA member Joleen Wieser won the Golden Heart for Best Contemporary Series Romance for her book Under a Harvest Moon. CONGRATS!

Seattle author Julia Quinn won the RITA for Best Regency Historical Romance for The Secret Diaries of Miss Miranda Cheever, which I lurved. She let me take my picture with her and her RITA (see above) and will be the keynote speaker at this year’s Emerald City Writer’s Conference in October. Julia wins the award for Most Creative Save for her sister’s use of a conference sticker to fix Julia’s award dress.

Jennifer Greene won the RITA for Best Romance Novella for “Born in My Heart” in Like Mother, Like Daughter. She wins the award for Best Tearjerker Speech for telling the story about how her novella came out last year for Mother’s Day and was dedicated to her 87-year-old mother. Her mother asked her to read it out loud, and two weeks later her mother passed away. I doubt there was a dry-eye in the entire room.

Debut author Deanna Raybourn won the RITA for Best Novel with Strong Romantic Elements for Silent in the Grave. She wins the award for Most Teary Speech, and it was lovely to see someone so incredibly overcome. She told the audience that her friend had asked “Did you write a speech?” and she responded, laughing, “No, I’m up against Nora Roberts!” Kensington editor Hilary Sares (who is NOT Deanna’s publisher) was pimping her book big time in the Selling Historicals workshop that I attended. The Lusty Wenches Book Club has Silent in the Grave on the To-Read list for upcoming months.

J.D. Ward won the RITA for Best Paranormal Romance for Lover Revealed, and her critique partner (and fellow awesome paranormal author) Jessica Andersen accepted it on her behalf. Ward wins the award for Funniest Speech, thanking everyone who helped bring Butch “out” and the letter V (a la Sesame Street).

Kristan Higgins won the RITA for Best Contemporary Single Title Romance for Catch of the Day. She wins Best Thank You Speech, saying “Thanks to my husband for great sex.”

La Nora presented the 2008 Nora Roberts Lifetime Achievement Award to Vicki Lewis Thompson, who thanked “Nora ‘I don’t need no stinkin name tag’ Roberts” and shared the secret to her success with the audience: It’s all about having three names.

There were beautiful dresses galore and fancy deserts at the reception after the award ceremony. Kensington editor Kate Duffy warned me many people get diabetes just looking at the chocolate offerings.

21st April

Welcome Linda Winstead Jones!

Linda Winstead Jones holds a special place in my heart for authoring the very first romance novels I ever read (The Sisters of the Sun Trilogy) and starting me on a long delirious love affair with the genre. This is a big year for her: two of her books are 2008 RITA finalists and the RWA is honoring her with a lifetime service award. She was kind enough to take time out of her busy schedule to answer my questions.

Raintree: Haunted is a finalist for the 2008 RITA and earned 4.5 Stars from the Romantic Times, which called it “nonstop action from start to finish.”

Prince of Magic is also a 2008 RITA finalist and earned 4 Stars from the Romantic Times. Publishers Weekly wrote that the story has “Punchy battle scenes and steamy lovemaking,” and praised Jones’s “gift for creating complex heroes and villains.”

Ciara: This year you are being honored with the RWA’s Emma Merritt Service Award. Can you tell us about the service you have done to earn this distinction? How has working with the RWA aided your development as a writer?

Linda: I was shocked when Sherry Lewis called to tell me that I was getting this award. It truly is such an honor. I served on the RWA Board of Directors as a Regional Director for four years. Honestly, I don’t feel my contributions were more worthy than those of so many other women who served on the board. Everyone who reads the Policy and Procedure manual from beginning to end deserves some sort of award! <g>

Serving on the board was such an interesting and rich experience, and I made many very good friends in those four years. Nothing is accomplished by one person alone. The best of our accomplishments were joint efforts, always. I truly am honored that the current board believes I made a significant contribution.

Ciara: Lets talk about the RITA, the Oscar of the Romance Industry. You won in 2004 for Shades of Midnight, and are a double finalist this year for Prince of Magic and Raintree:Haunted, all in the paranormal category. How did you feel when you got the call?

Linda: Long before I was a finalist, I heard the words “It’s an honor just to be nominated,” or other words to that effect. Until I got the first RITA call, I had no idea how true those words are. I was thrilled, of course. I’m not one to scream into the phone, but I did laugh (perhaps a bit hysterically) and once I was off the phone I did a little dance around the kitchen. (Because dancing is always an appropriate response to good news.) This year Donna Grant called me, and honestly, I thought the contest calls were going out the following day. I greeted her with a “what’s up?” and thought she was calling about some old board business. So, I was truly shocked, and then to be told I was a double finalist – more dancing was called for. Lots of phone calls and e-mails to friends and editors. Celebrations ensued. And then I had to make dinner and do laundry and get back to the work in progress, since a deadline is looming.

While I would of course love to win, it’s true that to be in such great company is an honor. When I won in 2004 I was sitting with my friend Lori Handeland, who had insisted that I write out something just in case. I had a short list of people I’d have to thank if I did win, and when my category came around and they started calling out the names of finalists, I realized I didn’t have a chance so I stuck that piece of paper somewhere in my program. Then they called my name and Lori screamed at me and I’m desperately looking through my program for that scrap of paper while she’s trying to push me out of my chair. <g>

Ciara: How did you get started writing paranormal and what has influenced you most in your work in this sub-genre?

Linda: While not technically paranormal, my first crack at stories which were very much out of the ordinary were with the fairy tale romances I wrote for Leisure/Lovespell. I loved writing those books! They were so different, and so much fun. From there it was a short hop to time travel, then to ghosts, and finally to fantasy set in an alternate world. It’s almost as if you give your brain permission to go beyond the bounds of reality, and it happily takes off.

Influences are everywhere, in fiction and in non-fiction, in television and in music. Often simply in letting your mind roam completely free. No constraints, no boundaries. You ask that question that always has to be asked – What if? – and then sit back and listen.

The characters from Sisters of the Sun, my first trilogy with Berkley, had been with me for a while before I actually got them onto paper. I could see the first chapter or two, but then it died from there. Nothing. Nada. Their stories just didn’t go anywhere. Then one day I was in the hammock in my back yard, watching the sky and thinking about the Fyne sisters, and it came to me out of nowhere. “They’re not from here.” From that moment The Sun Witch, and the other books in that series, flowed.

Ciara: You have written in many sub-genres under the names Linda Devlin, Linda Fallon, Linda Jones, Linda Winstead, and Linda Winstead Jones. What was your favorite book to write, and why?

Linda: You might as well ask me who my favorite child is. <g> The Sun Witch was very special, as was Cash. Madigan’s Wife, one of my first Intimate Moments, because I adored Ray. Raintree: Haunted, for so many reasons, not the least of which was Gideon. Prince of Magic, because Sian really spoke to me. I’m seeing a pattern here. Love the hero, love the book. There have been several favorites over the years, but the true favorite has to be the one I’m working on at that moment – whatever that moment might be.

Ciara: You were first published in 1994. What got you interested/started in writing and how long was your path to publication?

Linda: Like so many writers, I’ve been a reader all my life. As a child, as a teenager. I even loved writing term papers in high school, which definitely marked me as different. When I was in my mid-twenties, I took a creative writing course. We wrote poems and vignettes, and that was enough to get me hooked. With three small children, there was little time to write, but I tried. Those early efforts were not particularly good, but I learned a lot. It was strictly a part time hobby, one I gave up when my husband and I opened our own picture frame shop. With three kids in school and a business that was opened six days a week, there was no time for any hobby, much less writing a book.

In a twisted way, running that business is what lead me into writing. After a few years my husband took a job that took him out of town for weeks at a time, leaving me with a business and three kids who were attending three different schools. They all had activities – band, baseball, soccer, roller hockey. I painted the living room pink, but what the heck? I did it all. Now and then someone would as me how I got it all done, which surprised me. I got it all done because I had no choice. Being in that position made me realize that I was capable of doing whatever I wanted to do. And though it had been a while since I’d written anything, I knew I wanted to write.

When the lease on our shop was up, I told my husband I wanted two years to see if I could sell a book. He agreed, but he saved all our framing equipment so if things didn’t work out we could go back into that business. We closed the shop in August 1992. I set up my typewriter (yes, my TYPEWRITER) at the dining room table, and I wrote Guardian Angel. I bought a copy of The Writer’s Market and found a publisher that accepted unagented books (and also published western romance) and in May 1993 I sent them the first three chapters of my book. (without making a copy. Yowza.) In June I got a request for the full and sent them the rest (since of course that was all I had. Again, no copies.) In June I also found a local RWA chapter, which was a real turning point for me. I remember walking into the room and realizing that these were my people. They still are. In October of that year, I went to my first writer’s conference, Moonlight and Magnolias in Atlanta. I didn’t get much sleep that weekend, so when I got that call Monday morning, I was asleep on the couch and dazed when I talked to Alicia Condon at Leisure. I wrote all the details of the offer on a MacDonald’s napkin that was sitting nearby. <g> My first book was released in August 1994, exactly two years after we closed the frame shop.

And so it goes.

Ciara: What advice would you give writers just starting out?

Linda: Join a writing group – RWA or something else that suits you. We write alone, but the support of a group is invaluable. Also, don’t allow yourself to be paralyzed by the constant bombardment of rules that are around these days. Tell the story – that’s the most important thing.

Ciara: In your opinion, what are the most important elements of good writing?

Linda: There’s good writing and there’s good story telling. I’m not a perfect technical writer, I realize that, and the books I love might not be technically perfect. Compelling characters and a gripping story are what will bring a reader to an author again and again. What one man loves another will not, but in the end I don’t know anyone who raves about sentence structure or the scathingly brilliant use of adverbs. <g> Not to say that anyone wants to read a grammatical mess, of course, but loving the characters and caring about them is what makes for a great book, IMO.

Ciara: What is your favorite book of all time, and why?

Linda: This changes, too. I grew up devouring Nancy Drew, and for a long time Little Women was my favorite book. Then Gone With the Wind. The Stand, by Stephen King, Son of the Morning, by Linda Howard. I couldn’t possibly pick one.

Ciara: What are you working on next?

Linda: I’m working on another Nocturne, currently titled The Last of the Ravens – though of course that title could change. The story is set in the mountains of Tennessee, near to the place my good friends and I sometimes go to unwind, shop, and plot.

Ciara: If you could leave your readers with one legacy, what would you want it to be?

Linda: Legacy is a strong word. <g> All I want to do is make my readers laugh and cry and escape from real life for a while.

Thank you so much Linda! I look forward to meeting you at the Book Signing Event at the National RWA Conference in July!

13th April

Book Club: Questions for PRIME TIME

Prime Time by Hank Phillippi Ryan
Harlequin Enterprises, Harlequin NEXT
Category: Romantic Suspense
Interview on Single Titles

The first book for the Aspiring Romance Author Book Club is Prime Time by Hank Philipi Ryan. If you would like to join us, please read the book by May 4th. We will be interviewing Hank and discussing the techniques she used to create a RITA Best First Book Finalist! Here are some questions to keep in mind while you read and annotate! (Oh, Doctor Lightfoot would be so proud).

Setting

  • Is a compelling atmosphere created and sustained? What was unique about the setting of the book and how did it enhance or take away from the story?
  • Is the setting a character? Does it come to life?
  • How does the setting relate to the plot? Does it help increase the tension? Does it contribute to the transformation?
  • What techniques did the author use in world-building? Did the author follow her own rules? (mostly for paranormal books)

Theme

  • What specific themes did the author emphasize throughout the novel?
  • What do you think he or she is trying to get across to the reader?
  • Are the book’s themes treated in an original or unusual way?

Plot

  • What devices does the author use to create tension in the external conflict?
  • What devices does she create tension in the internal conflict?
  • How do the external and internal conflicts relate to each other?
  • How does the plot follow the Hero’s Journey or Blake Snyder’s 15 beats?
  • How does the author increase dramatic tension during the climax?
  • Are there plot twists?
  • Is the scene or chapter goal evident? Is it working toward the story’s overall goal?
  • What were the secondary plots, and how did they contribute to the main story?

Character

  • How does the author make them sympathetic? (Save the Cat)
  • What are the characters’ motivations? Strengths? Weaknesses?
  • What archetypes do the characters fit?
  • How do characters change or evolve throughout the course of the story?
  • What events trigger such changes?
  • How do secondary characters add to the narrative? Are the secondary characters complete or one-dimensional “talking heads.”
  • Problems: were the characters held accountable? Did they act according to their personalities?

Style

  • How does the author’s style contribute to (or detract from) the impact of the book?
  • What did the author do to achieve emotional impact?
  • How did the author use Non-Verbal Communication to increase the tension or communicate emotion?
  • Do any phrases, characters, or plot devices jump out as cliché?
  • Subtext / Whitespace: Is the reader allowed to fill in the blanks occasionally?
  • Does the author establish any patterns (repetitions of imagery, words or events) to communicate the mood/emotion/theme?
  • Does the author use symbolism effectively?

Dialog

  • Was it believable?
  • Does each character have a unique speaking style? Ie, if you covered the tags could you tell who was speaking?

Other

  • Why was this book chosen as a RITA finalist?
4th April

Aspiring Romance Author Book Club

What does it take to get published?

Ask a Debut Author. Through years of blood, sweat & tears, rejections, contests, multiple manuscripts, faith, perseverance and luck, these authors have finally jumped the hurdle from the Aspiring Author to the Published Author. Debut novels hold the key to understanding What It Takes. So what can aspiring authors do to learn this industry secret? – Start an Aspiring Romance Author Book Club to analyze the story structure, character arcs, dialogue, voice, theme, writing style, plot, setting and ability to elicit an emotional response of break-out novels. Dig deep and discover what makes these manuscripts tick. What elements make them work? What elements could be improved? What can you take away from these manuscripts that “made-it” to bring to your own manuscript?

Lucky you, my critique partner and I are starting an Aspiring Romance Author Book Club here in Sea-Town and I will be sharing our brainiac discoveries with you via this blog. I invite you to read along with us and share your thoughts. Should I be overly ambitious, I might even interview the debut authors so we can be inspired by their journey to publication.

The 2008 RITA finalists for Best First Novel were recently released, and this is the list we will be using for our book club. Unfortunately the RWA does not nominate one Best First Novel from each category, so this year we do not have any historical novels to read. Our book club may augment the list with a debut historical novel if we find one – any suggestions?

Treasure by Helen Brenna
Harlequin Enterprises, Harlequin Superromance
Category: Contemporary Romance
Interview on The Romance Reader – Double Golden Heart Finalist. Over 10 years till publication.

Prime Time by Hank Phillippi Ryan
Harlequin Enterprises, Harlequin NEXT
Category: Romantic Suspense
Interview on Single Titles

Silent in the Grave by Deanna Raybourn
Harlequin Enterprises, MIRA
Category: Novel with Strong Romantic Elements
Interview on Barnes & Noble – It took Deanna 14 years to be published.
Interview on Reading the Past Blog - Deanna discusses researching Victorian England.

Thief With No Shadow by Emily Gee
BL Publishing, Solaris
Category: Paranormal Romance
Interview with Nalini Singh -
Interview with Shelley Monro -

Dead Girls Are Easy by Terri Garey
HarperCollins Publishers, Avon Books

Catagory: Paranormal Romance
Interview on Romance Bandits Blog – 4 years to publication
Interview on Tampa Bay Channel 10

Edited to add: The Duke of Shadows by Meredith Duran will be our historical.
Interview about her first sale on Dear Author.