Interview with Author Carrie Lofty
Please join me in welcoming historical romance author Carrie Lofty. Ms. Lofty’s newest release WHAT A SCOUNDREL WANTS is in book stores now.
In Sherwood Forest, outcast warrior Will Scarlet rescues a blind woman who dreams of fire.
Now, to defeat the new Sheriff of Nottingham, he’ll need to become a hero for the ages. It’s amazing what a scoundrel will do for love…
Ciara: What a Scoundrel Wants stars Will Scarlet of Robin Hood fame. What attracted you to Will out of all the merry men?
Carrie: Initially, I was attracted to Christian Slater’s portrayal of Will Scarlet in Robin Hood: Prince of Thieves. He’s angry, young, petulant, and very hurt. As I dove into my research, I learned that the character of Will Scarlet has always been flexible. He’s served whatever purpose the story required: a cad, a thug, a dandy, an inexperienced youth, a confidante. I wondered what sort of hero he would become, given a little time, the right set of challenges, and the right female motivation.
Ciara: The heroine, Meg, is blind. What challenges and benefits did you encounter writing without using the sense of sight?
Carrie: One of the first scenes I imagined for the book is where Meg is nearly burned for witchcraft. I saw it all: the angry villagers gathered below, torches against the dark night, the smoke and flames coming up from the pyre. But then I realized that Meg wouldn’t be able to see any of that. Every scene then became a matter of translating what I saw in my mind into what Meg would be able to take in with her other senses–the smell of burning wood, the heat against her legs, the frantic shouts. So it was a challenge, but it had the benefit of sinking me deeply into her point of view.
Ciara: Whose point of view was more challenging to write: Will’s or Meg’s?
Carrie: Meg, by far. She’s very angry and hurt by circumstances from her past, but she’s also heartbreakingly vulnerable. Delving into her was an emotional journey. Will was just a piece of cake. Fun, snarky, sarcastic, brave, he’s a hero I could imagine from the very first page.
Ciara: Why do you think the legend of Robin Hood has had such staying power captivating the common imagination over so many retellings?
Carrie: The best legends and myths are not about the actual stories, but about the function they have at any given moment in society. I studied this same phenomenon for my master’s on the societal impact of gunfights legends after the Civil War. There’s just enough history to give it credence, but then a dearth of details. We can fill in the blanks to make the story relevant. For example, ballads from before the 16th century portrayed Robin Hood as a devout Catholic. He risked life and limb to take money to the nuns. After the Protestant Reformation, however, his stories became more adamantly anti-Catholic, to the point where bishops and nuns were villains in disguise. The change reflected the times.
Ciara: Which version of Robin Hood is your favorite? (Men in tight tights? *grin*)
Carrie: As I mentioned above, I was inspired by Prince of Thieves, even though I know it’s the best sort of utter crap. I’m enjoying the new “Robin Hood” series from the BBC, slowly catching up on what I’ve missed with that one. And although Men in Tights was terrible (or brilliant, depending on who you talk to), it featured a very nice Will Scarlet-ish character played by Matthew Porretta.
Ciara: Are you a plotter or do you write by the seat of your pants?
Carrie: I use a method I call telephone poles. I brainstorm a series of images, scenes, themes, or bits of dialogue I’d like to seen in a particular story, then arrange them in roughly chronological order. Roughly. The wire connecting these plotting telephone poles is the story itself, which I pants. That’s where unexpected things happen, generally to the betterment of the story.
Ciara: What was the first romance novel you read and how old were you?
Carrie: Santana Rose by Olga Bicos, an historical spy/white slavery thriller set in 19th century New Orleans. I think I was fifteen. It opened up a whole new world to me. History and romance?? Fantastic!
Ciara: If you were stranded on a desert island and could choose six books to be stranded with, what would they be?
Carrie:
- The Complete Shakespeare (I might finally finish it)
- Atonement by Ian McEwan
- The Siege by Helen Dunmore
- The Time-Traveler’s Wife by Audrey Niffenegger
- Night in Eden by Candice Proctor
- Fire & Rain by Elizabeth Lowell
Ciara: What was your path to publishing? When did you get “the call”?
Carrie: My husband took a three-month internship position in Virginia in the summer of 2006, while I stayed in Wisconsin with our two young daughters. I needed a creative and professional outlet for myself, and for the first time, I took my writing ambitions seriously.
That summer, I finished my first manuscript, Serenade, in with a widowed violin prodigy in 1804 Salzburg falls for a composer who stole the symphony he’s most famous for. (I’ll be posting Serenade as a serial on my website beginning in January. Visit www.carrielofty.com for details.)
I began What a Scoundrel Wants shortly thereafter, then pitched it to Hilary Sares of Kensington at Nationals in 2007. She bought it in September, along with the late 2009 sequel, Scoundrel’s Kiss, in which a Spanish warrior monk falls for the opium addict he’s sworn to cure, but she tempts him to abandon his vows of obedience, non-violence and chastity.
Ciara: What advice do you have for aspiring authors?
Carrie: Set a manageable daily goal and meet it. When you can meet it consistently, push a little harder. Find reliable critique partners to help you see where you’re stuck or where you can best improve. Take your career intentions seriously, especially if you expect others to honor your ambitions. And most importantly, trust that you have a story worth telling. Good luck, and thanks to Ciara for letting me stop by!
Ciara: Thank You!
Watch the Book Trailer for WHAT A SCOUNDREL WANTS:
[youtube=http://www.youtube.com/watch?v=mCVX6xDyOp8&eurl=http://www.carrielofty.com/WaSW.html]




Linda: Like so many writers, I’ve been a reader all my life. As a child, as a teenager. I even loved writing term papers in high school, which definitely marked me as different. When I was in my mid-twenties, I took a creative writing course. We wrote poems and vignettes, and that was enough to get me hooked. With three small children, there was little time to write, but I tried. Those early efforts were not particularly good, but I learned a lot. It was strictly a part time hobby, one I gave up when my husband and I opened our own picture frame shop. With three kids in school and a business that was opened six days a week, there was no time for any hobby, much less writing a book.