Heather Massey of The Galaxy Express has an excellent guest blog up at Dear Author today about Steampunk Romance. I encourage y’all to check it out, especially for the great book recommendations in this emerging genre. I have two thoughts to add to her comments:
Victorian Setting or Victorian Trappings?
Ms. Massey writes that the major appeal of the genre is in its historical settings of the Victorian and Edwardian Ages; stylistic elements such as Victorian clothing, brass goggles and airships; and the flexibility of world building (we mustn’t forget that Steampunk is anachronistic in essence). I don’t think of Steampunk as being anchored specifically in the years 1850-1920, but in rather the culture and customs of the Victorian Age. (Brings to mind Alba’s comment in The Time Traveler’s Wife that her father might be chronologically dead, but he isn’t continuously dead.) The most famous Steampunk book of all, Neil Stevenson’s The Diamond Age, is set in the far future. Only the top level of society is Neo-Victorian. The world is powered by nanotechnology. Some Steampunk is set on different planets or fantasy worlds unlike our own. I think Joss Wheden’s Firefly has steampunk elements. It’s the wild west set in outer space. I agree with Ms. Massey that historical romance fans will enjoy Steampunk for the Victorian Romanticism, but I think Steampunk is just as comfortable in future settings as it is in the past.
What about the punk in Steampunk?
My second thought was first brought up by author Meljean Brook. Ms. Brook commented back in February:
“As long as the ‘punk’ part isn’t obscured by all that steam — I have to admit, that’s my biggest concern. The fantasy, the history, the technology — I love it. I could do the pretty, fun stories all day. Questioning the status quo in a genre dependent on its conventions (conventions I enjoy) is a more interesting challenge.”
In our discussions of the marriage of Steampunk and Romance, we seem to have left out the subversive nature of punk. Steampunk in part grew from the Goth and Cyberpunk movements. It’s a counterculture. His Dark Materials Trilogy by Phil Pullman (The Golden Compass, et al) is a great example of subversive steampunk. Lyra helps the angels overthrow heaven itself. Adam and Eve–in disregarding god’s edict and eating the apple of knowledge–are held up as heroic, not sinful. Three cheers for rebellion! The Diamond Age holds up subversive as the personality trait to aspire to.
Rules, of course, were made to be broken. One of the reasons I’m attracted to the genre is that it is so flexible (as Ms. Massey pointed out). I’m very excited to read steampunk ROMANCE, and I expect, and dearly hope, that the plots will be not quite so bogged down in scientific technology as some of the current straight steampunk is. Not that I dislike science; I simply have a short attention span. A little less talk and a lot more action, if you please.
Leviathan by Scott Westerfeld
If you’ve read your most recent issue of Romantic Times Magazine, you may have noticed the article about an upcoming Steampunk YA novel that looks absolutely smashing. Publishers Weekly writes about the book:
“In Westerfeld’s re-imagining, the combatants are the Clankers, whose weaponry consists of heavily fortified machinery, and the Darwinists, whose airships are made up of bioengineered animals. The Leviathan is the most colossal of these: a giant whale kept afloat by microscopic hydrogen breathers.”
I want!